Ema of a Warrior Riding a Boar
Hand painted EmaĀ left at Shinto or Buddhist shrines for the deities to hear prayers. This emaĀ of Nitta Shiro Tadatsune seated backwards on a boar, holding the boar's tail in one hand and his sword the other.Ā "As related in theĀ Tale of the Soga Brothers, during a grand hunting excursion at the foot of Mt. Fuji, an aged and massive wild boar cut through the shogunās hunting party. Despite having several arrows protruding from its back, the beast was so enraged that no one dared approach it. Nitta no ShirÅ rode in pursuit, but the boar turned sharply, causing Nittaās horse to rear". Aware that being on the ground could be fatal, Nitta used his bow to vault himself onto the boarās back and stabbed it to death. The shogun praised his spirit and ability. "*Ā Ā The large characters in the upper leftĀ meanĀ "go houzen," which is a phrase used to honorĀ both gods and the Buddha. The characters on the right state that the ema is an offering, or "houken."Ā The significance of the boar is most likely astrological, as the writing in the right column also states that the ema was created in the "year of the pig/boar."
- Mineral pigments and ink
- Sugi - Japanese cedar wood
- Dated January Taisho 10 (1922)Ā
- 27.5" x 20.5" x 1" (width, height, thickness)
*from Indianapolis Museum of Art
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Ema of a Warrior Riding a Boar
Ema of a Warrior Riding a Boar
Hand painted EmaĀ left at Shinto or Buddhist shrines for the deities to hear prayers. This emaĀ of Nitta Shiro Tadatsune seated backwards on a boar, holding the boar's tail in one hand and his sword the other.Ā "As related in theĀ Tale of the Soga Brothers, during a grand hunting excursion at the foot of Mt. Fuji, an aged and massive wild boar cut through the shogunās hunting party. Despite having several arrows protruding from its back, the beast was so enraged that no one dared approach it. Nitta no ShirÅ rode in pursuit, but the boar turned sharply, causing Nittaās horse to rear". Aware that being on the ground could be fatal, Nitta used his bow to vault himself onto the boarās back and stabbed it to death. The shogun praised his spirit and ability. "*Ā Ā The large characters in the upper leftĀ meanĀ "go houzen," which is a phrase used to honorĀ both gods and the Buddha. The characters on the right state that the ema is an offering, or "houken."Ā The significance of the boar is most likely astrological, as the writing in the right column also states that the ema was created in the "year of the pig/boar."
- Mineral pigments and ink
- Sugi - Japanese cedar wood
- Dated January Taisho 10 (1922)Ā
- 27.5" x 20.5" x 1" (width, height, thickness)
*from Indianapolis Museum of Art
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Shipping & Returns
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Description
Hand painted EmaĀ left at Shinto or Buddhist shrines for the deities to hear prayers. This emaĀ of Nitta Shiro Tadatsune seated backwards on a boar, holding the boar's tail in one hand and his sword the other.Ā "As related in theĀ Tale of the Soga Brothers, during a grand hunting excursion at the foot of Mt. Fuji, an aged and massive wild boar cut through the shogunās hunting party. Despite having several arrows protruding from its back, the beast was so enraged that no one dared approach it. Nitta no ShirÅ rode in pursuit, but the boar turned sharply, causing Nittaās horse to rear". Aware that being on the ground could be fatal, Nitta used his bow to vault himself onto the boarās back and stabbed it to death. The shogun praised his spirit and ability. "*Ā Ā The large characters in the upper leftĀ meanĀ "go houzen," which is a phrase used to honorĀ both gods and the Buddha. The characters on the right state that the ema is an offering, or "houken."Ā The significance of the boar is most likely astrological, as the writing in the right column also states that the ema was created in the "year of the pig/boar."
- Mineral pigments and ink
- Sugi - Japanese cedar wood
- Dated January Taisho 10 (1922)Ā
- 27.5" x 20.5" x 1" (width, height, thickness)
*from Indianapolis Museum of Art






















